That Was The Year That Was

Ok, so never write the year report until the year is finally over. You may never know what happens in the last days. This is what happened. Today I received a package from Suitcase Recordings. Somewhere in 1991 Suitcase’s Erik Blevins (All Fours), Tom Cox (TAC) and me started to work on an extensive project of material exchange, music and visual. I did a track for a compilation which was basically a small sound installation, and did another one. In 1993 I played live with Eric in Atlanta, which was also be included in the LP as planned. But then things went quite and Eric and I lost contact. But a few years ago he returned, first releasing ‘Paper & Plastic’ on a double CD (instead of the original cassette) and then started working on our joint project. Sometimes I feared Eric got lost again, but then out of the blue this beautiful item arrived. A gatefold LP sleeve, with ‘material’ stashed into it, a CDR and cards explaining the work, all lovely designed by Abo of Yeast Culture in your usual Yeast Culture way. I have one for sale.

So, then I can write about the year that was… An odd year, with concentrated work in the first half, including touring Denmark with Wouter Jaspers, and a lecture tour with him in The Netherlands. Concerts by THU20, Zebra, Kapotte Muziek and solo in the first half. But then in the second half things went quite and the only concerts were the three by Beequeen and the three by Wander. Odd. I never got my 770 euros from Andrew from the Venlo disaster december 2010. I will seriously hurt him, when I bump into him.

Also in the second half year I didn’t create a lot of new pieces, just a Bad Sector remix and a remix for an upcoming project by Jolijn Ceelen. Also before that I didn’t do a lot of music, but I did the radioplay with Scott Foust for Dutch radio, which I am extremely proud of. Hopefully you’ll be there when we perform that in April 2012.

Releasewise I am very happy with all things that were released, especially Ezdanitoff’s ‘We Bring Light’, Beequeen’s ‘Portout Starboard Home’, Freiband’s ‘Stainless Steel’ and ‘The Many Names Of Frans’. Early 2012 another great piece will see the light of day: the LP and CD ‘Smoking Is Green’ by The Tobacconists. Of course I hope 2012 will see some more CD sales for Korm Plastics – maybe I will just give in and stop the label.

The best concert I saw was Main at Incubate. Peter Hook’s performance of ‘Closer’ was a shamble. He should stick to what he is good at: playing rock music. But all the reviews I saw where positive, so I must a miserable old sodd.

Happy new year!

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About fransdewaard
Probably most known from his ongoing work with Kapotte Muziek (a group that fully concentrates on recycling through musique concrete) and as one half of ambient sound-artists Beequeen. As well as writing the informative and acclaimed weekly newsletter "Vital Weekly", Frans De Waard also founded the Korm Plastics label in 1984, initally only offering cassettes, but since 1992 offering an ever-growing catalogue of CDs and vinyl of contemporary experimental music.

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