Real Releases?
May 10, 2013 Leave a comment
The past few posts have been about digital music, and while I like to serve everybody what they want, I do like physical releases perhaps a little more. This week, by curious twist of fate I guess, I got three new releases which involve my music, small and large. First there is a 3″ CDR by Bastet, in which five people remix Unter Den Linden. I am pretty sure I did my piece already in 2001 and it was one of the first pieces of laptop music I ever did. Stephan Mathieu liked this one. It was also released on the Freiband cassette on Beam End, in 2011, because frankly I thought this would not never appear. The others on this 3″ CDR compilation are Nouvelles Lectures Cosmopolites, Monolith, Column One and P.A.L. Heavy stuff!
Then I got copies of ‘Pink Pearl’, a CD which I recorded with Howard Stelzer in 2011 and 2012. As source material we used everything that we done since we started to work together, which must have been 1996, when we first traded rough musical sounds to be melted into new music. But unlike some others in this particular branch, I have met Howie a couple of times – I would like to say on 5 occasions but I am afraid I will use the wrong number – when he was in Europe or I in the USA and we have played together on a number of live and studio collaborations. I know, its what musicians always say, but this might be our best work together. The source material is old stuff from cassettes, previous collaborations, live recordings and lots of digital processing on my part. We will not disclose who did which track
And then there is Freiband’s ‘Mutatis Mobilis’. When I did a Freiband piece on the Korm 25th Anniversary cassette it had some stuff on side A, and some on side B, so that you could use the tape as a 4 track tape and further treat this stuff. Z’EV send me a piece, which I think I may have lost (but I don’t dare to tell him) and Mirko Uhlig did a long one, which Attenuation Circuit released as a cassette and CDR. I used that cassette in my four track recorder to play it back and use that for some new music, which is again something people could use as a four track. Either by using the cassette version as a four track or using free software to play both pieces at the same time. A never ending thing I guess.
Yesterday Wieman rehearsed for their concert ‘Play Goem’ at the end of this month and it sounds great. The Tobacconists have 2 LPs ready (mixed and mastered) for release, and the new Beequeen is 99% ready – all of which should make excellent releases. Beequeen is easily the most commercial music I was ever involved in. Fucking hell, this should break big time!
