2013 Shareholders Report

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(me at Beequeen concert, picture by Miranda Kinkelaar)

I don’t know about 2013. It has been an odd year. I feel like I didn’t do much. Look at where I played this year:

06-02-2013 Ezdanitoff at Occi, Amsterdam
09-04-2013 Freiband at Cafe Sonore, Hilversum
31-05-2013 Wieman at Trenkel, Rotterdam
14-06-2013 Beequeen at Paradox, Tilburg
01-09-2013 THU20 at Extrapool, Nijmegen

It was great doing all of these, especially seeing Wouter Jaspers again after quite some time, doing a live Goem remix as Wieman and THU20 revived with more action planned for next year. But 5 concerts?

or take a look at the releases from this year:

[Freiband & Ilo]
‘(Slow) Fade Out’ and ‘Shut Down’ on EU13 (CD, Motok mtk 027). ‘Shut Down’ taken from Bits & Pieces CD

[Frans de Waard]
DIALOGUES (online, Korm Digitaal 161)

[Wieman]
‘God Is A Pleaser’ on Disc Jockey (online, Esc Rec 42)

[Freiband]
LUCHTBAL (online, Korm Digitaal 157)

[Freiband & Ilo]
BITS & PIECES (CD, Korm Plastics kp 3058/Motok 026-2)

[Frans de Waard]
1. State Conspiracy 2. Traitor 3. Police Terror 4. No Cops No Masters 5. Servants 6. Tax The Fuck 7. Kick/Kill/Kick 8. Er (Etc) Er 9. ? 10. Track Seven 11. Disco Chant/Beat 12. The Richness of Poverty 13. Plastic Bag Take Away 14. Traitor (Again) 15. Smoking on Les Illusions Magnetiques (double cassette, Quasipop CS066)

[Pick-up]
DEPARTURE (cassette, Ultramarine Records UM 020)

[Frans de Waard]
PERCUSSION MUSIC (online, Korm Digitaal 143)

[The Tobacconists]
‘Greek Beards’ on Soup Of Freak (cassette by Hello Rainbow Bridge RB 63)

[Frans de Waard]
‘Untitled (Fashion Show)’ on Intermitted (online, Attenuation Circuit)

[Frans de Waard]
‘Root’ on Interfered (online, Attenuation Circuit)

[Freiband]
MUTATIS MOBILIS (CDR, Attenuation Circuit ACR 1028). Also available on cassette (edition of 15 copies, ACT 1020

[Frans de Waard]
PINK PEARL (CD, Bocian Records bc pp) Collaboration with Howard Stelzer

[Wieman]
‘Grand Theft Music’ on Music For Imaginary Videogames (CDR, Oggy Records 006)

[Frans de Waard]
DIE ANTIZIPATION DES GENERALIZED OTHER (CDR, SHMF-019-81) Edition of 8 copies

[Freiband]
untitled piece on ‘Play Under Den Linden’ (3″CDR by Bastets Kitten BE005)

[Misc]
Vice (CD by Infrastition end 013)
liner notes by Frans de Waard

[Frans de Waard]
ONE DAY I GOT A FOUR TRACK TAPE AND DECIDED TO DO MY OWN MIX (CDR, Bluesanct) Edition of 23 copies

[THU20]
VROEG WERK (2CD by Monochrome Vision MV 45. Five pieces with musical input by Frans de Waard

[Kapotte Muziek]
‘The Sound Can Change’ on Complication Compilation (CDR by Suitcase Recordings sut-10, 12, NO, 15)

That also isn’t a lot; lots of compilations really. But enough probably. I am especially proud of that ‘Pink Pearl’ CD I did with Howie. It’s the best work we did so far.

The best stuff from 2013 should however be released next year. The Tobacconists ‘A Secret Place’ should be released on A Giant Fern sooner than later. There is another, really great, really different release by The Tobacconists waiting for any daring label. A LP or even a 10″! The Wieman plays Goem is still in the pipeline for Bocian, I think. Ini.itu asked Wieman to do a LP with a remix/tribute to the obscure Dutch synth act Cybe from the 80s and of course the classic album by Wieman is also still in the pipeline. We need to do a coda for it.
Despite working hard we haven’t found a label yet for the new Beequeen CD, which was lovingely produced by Peter van Vliet (Mekanik Kommando, The Use Of Ashes).
In October I recorded a LP worth of material with Fabio Orsi and Sindre Bjerga.
Howard Stelzer and me will surely do more work. We’d love to do a LP. We don’t think we can find a label anymore.

The current climate for being a label sucks. I think I released some fine CDs on Korm Plastics, but the sales dropped even more.

“Go Vinyl”, you say? “You do know people don’t buy CDs but they do buy vinyl?” I usually counter that with: “Why don’t you hand me the money, I’ll do the vinyl, and we both split the profit? Everybody wins; Vinyl sells” Now as you can imagine nobody does that. Where were you when I released LPs by Edward Ka-spel, Mirko Uhlig, Pick-up and THU20, or those great limited 7inchs by DMDN, or Idea Fire Company? All released when it was still cheap to ship a single slab of vinyl, unlike these days of course. Vinyl. Unless you do another Crosby, Stills, Nash & Young album from an unwashed, early first master that was already released ten times on a heavy 180 gram direct metal plate mastering from analogue sources, its not a place to go. Vinyl. Don’t get me started.

Having said that, I might be releasing a LP/CD by Andre de Saint-Obin, which may be the last release on Plinkity Plonk. I will do the Brombron CD by Orsi/Bjerga. I may not do the other missing Brombron CDs. I asked the missing in action artists a couple of times, and decided to give up on them. I am not asking again. In 2014 there will be a final Brombron project, a major one, with at least one rock star. That I will surely release, and might very well be the last ever physical release on Korm Plastics. You never know.

Korm Digitaal, my division for digital music, will continue to push all work I was ever involved in, and lots of old releases on Korm Plastics as well. Maybe even new works. Personally I might not be convinced that digital/online releases are ‘it’, but I rather not miss out on it on whatever dimes fall off the table.

I went on holidays this year, to the UK; Oxford to be precise. I haven’t been on holidays for 8 or so years. I actually enjoyed it. Maybe I was in fine company.

Here’s a list of stuff I liked this year:

ASMUS TIETCHENS – FAST OHNE TITLE, KORROSION (CD by Black Rose Recordings)
:ZOVIET*FRANCE: – THE TABLES ARE TURNING (CD by Soleilmoon Recordings)
L.R. PADGETT – CHAMBERS (cassette by Throne Heap Devotional Music)
EYELESS IN GAZA – ORANGE ICE & WAX CRAYONS (CD by Catsun/Monotype Records)
STEPHAN MATHIEU – UN COEUR SIMPLE (CD by Baskaru)
HUMAN FLESH – THE 35TH HUMAN ATTEMPT (CD by EE Tapes)
IDEA FIRE COMPANY – POSTCARDS (LP by Swill Radio)
ELIANE RADIGUE – PSI 847 (2CD by Oral)
VICE (CD by Infrastition)
STEPHAN MATHIEU – THE FALLING ROCKET (2LP by Dekorder)
PLUS INSTRUMENTS – TRANCESONICS (CD by Declaw Ditties/Blowpipe)
STAPLERFAHRER – THE FOUR ELEMENTS (3″CDR by Moving Furniture Records)
YEAST CULTURE – SHIT ON A SHINGLE (three cassettes by Petri Supply)
STEAMROOM BANDCAMP (download)
RISING FROM THE RED SAND (5LP compilation by Vinyl On Demand)
David Byrne – How Music Works (book)
Book on Rough Trade
Book on Sparks

I regret wasting time with:

– Les Intouchables (movie)
– Morrissey’s book
– reading comments on non music related topics on social media
I’m sure I wasted more time, but won’t waste anymore trying to remember

I tried hard but couldn’t think of any concerts which really blew me away. I liked most of what I saw, I guess. Same as with movies, I guess.

To do list 2014 – in no particular order, beside the usual ‘more Vital Weekly, more music of my own’:

– Finish Staalplaat book
– Finish Fantasy novel
– Finish ‘the other book’
– try writing a 2 page essay every week on both musical and non musical subjects
– maybe go on holiday again, see if that works
– read less books
– work harder
– put more on my website

Onwards and upwards. 2014!

Quest

quartersActually I do play a lot of ambient house from the mid 90s on my ipod come to think of it. I guess I like it? Today I uploaded all the works I ever did as Quest/QST to a special bandcamp site and it has all the music that was released, inc an album of material from compilations, including remixes of Conrad Schnitzler, Muslimgauze and Kim Cascone and an entirely unreleased album of three long pieces and one very short. It’s called ‘Quarters’ and two commissioned pieces are ‘C.O.M.A.’ which I recorded for Sahko’s ‘Ambient Cities’ project in 1994 (and which I didn’t hear again until today when the EXCELLENT Tommi Gronlund mailed it to me) and a piece for Irmgard Trimbos, which was played in a theatre as the audience was entering. Maybe from 1995. I am pleased with this. It sounds like slightly more raw version of some of the other Quest/QST material, but still fine ambient music. Maybe I wish I had better tools in those days!

Real Releases?

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The past few posts have been about digital music, and while I like to serve everybody what they want, I do like physical releases perhaps a little more. This week, by curious twist of fate I guess, I got three new releases which involve my music, small and large. First there is a 3″ CDR by Bastet, in which five people remix Unter Den Linden. I am pretty sure I did my piece already in 2001 and it was one of the first pieces of laptop music I ever did. Stephan Mathieu liked this one. It was also released on the Freiband cassette on Beam End, in 2011, because frankly I thought this would not never appear. The others on this 3″ CDR compilation are Nouvelles Lectures Cosmopolites, Monolith, Column One and P.A.L. Heavy stuff!

bocianpp

Then I got copies of ‘Pink Pearl’, a CD which I recorded with Howard Stelzer in 2011 and 2012. As source material we used everything that we done since we started to work together, which must have been 1996, when we first traded rough musical sounds to be melted into new music. But unlike some others in this particular branch, I have met Howie a couple of times – I would like to say on 5 occasions but I am afraid I will use the wrong number – when he was in Europe or I in the USA and we have played together on a number of live and studio collaborations. I know, its what musicians always say, but this might be our best work together. The source material is old stuff from cassettes, previous collaborations, live recordings and lots of digital processing on my part. We will not disclose who did which track

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And then there is Freiband’s ‘Mutatis Mobilis’. When I did a Freiband piece on the Korm 25th Anniversary cassette it had some stuff on side A, and some on side B, so that you could use the tape as a 4 track tape and further treat this stuff. Z’EV send me a piece, which I think I may have lost (but I don’t dare to tell him) and Mirko Uhlig did a long one, which Attenuation Circuit released as a cassette and CDR. I used that cassette in my four track recorder to play it back and use that for some new music, which is again something people could use as a four track. Either by using the cassette version as a four track or using free software to play both pieces at the same time. A never ending thing I guess.

Yesterday Wieman rehearsed for their concert ‘Play Goem’ at the end of this month and it sounds great. The Tobacconists have 2 LPs ready (mixed and mastered) for release, and the new Beequeen is 99% ready – all of which should make excellent releases. Beequeen is easily the most commercial music I was ever involved in. Fucking hell, this should break big time!

Klankschap – two albums now on bandcamp

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Two albums with collections of historical pieces! One is Klankschap #1, #3, #6 and #8, with four long pieces of field recordings music, and the other is Klankschap & Other Pieces. Full tracklist is Capuciro, Requiem Pour Un Homme Seul, Waving Back, Stilte, A Soundguide To Knust, Klankschap #4, Klankschap #7, Klankschap #5, Klankschap #10, Profieldeel Zeven, For Phil, Whistling, Material and Broken Balloon, spanning pieces from 1994 to 2013. Both on bandcamp!

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Stainless Steel [Extension]

new track – now available
stainless extension

My Own Little Bandcamp

moll-logo-grootIt’s been a year since I last released a few items on My Own Little Label, and more and more I believe that was it. Maybe it’s time to move on? I don’t know. But what I do know is that they can all be heard on bandcamp and all can also be purchased there in a physical format. My first real bandcamp shop?

Yellow Pages

This is a text to which I will refer to when asked… and it’s

about my role as the yellow pages of the underground. I do write a lot of reviews, hence I do ‘know’ lots of musicians and labels, and as I sometimes play out music live I might know a few places to perform music. All duly noted in Vital Weekly. Yet, on an almost daily basis I receive requests from musicians for labels, contact persons at labels (even those with whom I am no longer connected for about 10 years), or that super handy list of venues to perform. I love you all, I wish you to do well, but the answer to your question is simply ‘no, I can’t help you’. A) because I simply not well organized, so I don’t have a fine word document with the requested information and b) because this is made to measure work, like which label would suit you best, which venue, what money would be involved. This also extends to requests such as ‘write me a support letter for my grant’, or ‘hey why does Extrapool not respond to my e-mail (or anyone else)’, ‘will you be my support act if I play in Extrapool’ etc. To put it bluntly: I am not interested in doing free work for anyone, other then myself and the ones I seek out myself. I don’t have the time to listen your demo and think of a list of a least 10 willing labels to release it. Or to book your tour. Or to release it myself. I think, through my work for Vital Weekly, my own music, my own label (when you hand in a request for advise, think about this: when was the last time you bought a release of my label?) and some work which I do, but don’t take public credit for (if you know what that is, fine. If not, just ignore), I think I serve the underground with all my heart already. Save those Vital Weeklies, make an effort of reading it (as far as is possible), seek out those labels and venues yourself and build your own word document with relevant info. And to those I do help, which I actually also do, I usually offer it, not asked. Or simply find me hanging at a bar and buy me beer. I’ll talk your socks off, and you make the notes.
This extends everyone, no matter if we never met, or met a lot of times, or even if I released your work. It’s nothing personal, but please understand my position. I don’t want a daily business running errants for everyone who asks.

(this already appeared on facebook in March 2013, but slightly changed here)

Circum Scala Destillans

circum kopienow on bandcamp

Wander The Cassette

wander cas kopienow on bandcamp

Korm Digitaal

OLYMPUS DIGITAL CAMERAFor a while now I have been running a digital music side line for many of my label releases, through Itunes, Amazon and what have you and even some assorted on Bandcamp. I have decided to expand the whole Bandcamp thing and put up as many old stuff as humanly possible. So you can at least download it Wav, flac or whatever is best for you. I started today and will go on through 2013, I hope.

This is the first one

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