At Home At Last

Image My Beequeen partner Freek runs a very private label called Beam Ends and he asked me for a cassette. The one I recorded for him, ‘Kubus’ wasn’t what he wanted, so I gave him access to all the unreleased Freiband pieces, from which he choose six and its now available. The first edition is 30 copies and it looks great! But alas no extensive liner notes – see them below. Order a copy from <info@beequeen.nl> or get one from me – same price.

Freiband – At Home At Last Official liner notes

As there was no space left on the cover and I  really wanted to say something about this new  release on Beam End – here are the liner notes,  so you know what you are hearing. As the title  suggests, these are old pieces, which for whatever reason never found a home. The first is ‘Kapotte Muziek By’ which is the first sketch of a various pieces Freiband did, using sound  material by Kapotte Muziek. It was, somewhere in  2007-2008, also presented live in some form and another version was released by My Own Little Label. This piece was for a compilation cassette with one minute songs, but they didn’t take mine, but Wander is there (with a rare noise piece actually). One of the first Freiband ‘goes computer’ pieces is ‘Well’, which of course is the German translation of Brunnen, Freek Kinkelaar’s project. I have no idea why I did this remix, perhaps as a bonus for some re-issue of his work, or some such. It was in the hands of various people for a compilation, but that also never happened. ‘BCN’ stands for ‘Bacon’, which I recorded for Spekk’s ‘Small Melodies’ compilation, and ‘spek’ is ‘bacon’ in Dutch and it uses sounds from bakings well, you get  my drift. I always liked this piece and sadly was not included on that compilation ‘Unter Den Linden’ is also a very early piece by Freiband, for a remix project by Bastet, of a band with the same name. That never happened. I am not sure about the date though. I do remember Stephan Mathieu really liked this one. If you are still with us, and turn the tape over, you’ll find ‘Tilos’. Kapotte Muziek was late 2001 in Budapest for a workshop and concerts and we were invited to come down to a radio station called ‘Tilos’ to present our work, and we all did a solo live piece. This particular piece includes some Joy Division/New Order samples, if I remember correctly, as I was busy working on ‘Homeward’. In 2002 I did a slightly different studio version, which is the one of this tape. Tilos Radio still exists and was recently under attack from the new laws on media in Hungary. Tongue in cheek is the last one, as I was not invited to a compilation that was to be released with remixes of Ptose, an old French band, but I bumped into someone who had source material. I did this piece, which I recently titled, which I never thought was completely done, but apparently Mr. Beam End likes it, so there you go. And aspiring young labels: there is plenty more where this came from, the freivaults are not empty. Frans de Waard – 30-III-2011

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About fransdewaard
Probably most known from his ongoing work with Kapotte Muziek (a group that fully concentrates on recycling through musique concrete) and as one half of ambient sound-artists Beequeen. As well as writing the informative and acclaimed weekly newsletter "Vital Weekly", Frans De Waard also founded the Korm Plastics label in 1984, initally only offering cassettes, but since 1992 offering an ever-growing catalogue of CDs and vinyl of contemporary experimental music.

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